Skip navigation

Main menu

  • What's On
  • Visit
  • Art
    • Discover Art
    • Artists
    • Artworks
    • Stories
    Stories
    Stories

    Watch, listen and read

  • Learn
    • Schools
    • Tate Kids
    • Research
    • Activities and workshops
    Tate Kids
    Tate Kids

    Games, quizzes and films for kids

  • Shop
Become a Member
  • View All
  • Exhibitions And Displays
  • On Today
  • Events
  • Tate Modern
  • Tate Britain
  • Tate St Ives
  • Tate Liverpool
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • Families
  • Accessibility
  • Schools
  • Private tours
  • Discover Art
  • Artists
  • Artworks
  • Stories
  • Schools
  • Tate Kids
  • Research
  • Activities and workshops
Tate home page

Try searching for...

  • A Bigger Splash
  • James McNeill Whistler
  • Julio Le Parc
  • Tate Britain Commission 2026
  • Tate Membership
Become a Member
  • Research
  • Tate Papers
  • Tate Papers no.2

ISSN 1753-9854

Tate Papers no.2 Autumn 2004

In this Issue

Contemporary Art and the Role of Interpretation

Helen Charman and Michaela Ross

New Media Art and the Gallery in the Digital Age

Charlie Gere

Paintings on Canvas: Lining and Alternatives

Stephen Hackney

‘The Veriest Poem of Art in Nature’: E. A. Hornel’s Japanese Garden in the Scottish Borders

Ysanne Holt

Conservation Concerns for Acrylic Emulsion Paints: A Literature Review

Elizabeth Jablonski, Tom Learner, James Hayes and Mark Golden

Awkward Relations

Neil Mulholland

Judd through Oldenburg

Richard Shiff

The Materials Used by British Oil Painters in the Nineteenth Century

Joyce H. Townsend

Kenneth Armitage’s Pandarus (version 8)

Toby Treves

Artwork
Close

© The Board of Trustees of the
Tate Gallery, 2026

  • Facebook
  • YouTube
  • Instagram
  • TikTok
|
  • Accessibility

  • Privacy

  • Cookies

  • Contact